Fueled by love, anger, hope and pride, a circle of friends struggles to contain a mysterious disease ravaging New York's gay community. Simon Levy directs the exclusive Los Angeles revival of Larry Kramer's groundbreaking drama about public and private indifference to the onset of the AIDS crisis, and one man's fight to awaken the world to its urgency. The Normal Heart opens Sept. 21 at the Fountain Theatre.
Not seen in L.A. for over 16 years, The Normal Heart remains one of the theater's most powerful evenings ever. It was so ahead of its time that many of the core issues it addresses - including gay marriage, a broken healthcare system and, of course, AIDS - are just as relevant today as they were when it first premiered nearly 30 years ago.
"What's wonderful about this play is that it's a passionate reminder that we must always keep fighting for what we believe in, that we must never let injustice go unanswered," says Levy.
Loosely autobiographical, The Normal Heart covers the first years of the AIDS crisis, from 1981 to 1984. Los Angeles Drama Critics Circle and LA Weekly Award-winning actor Tim Cummings (Rogue Machine's The New Electric Ballroom), stars as writer and activist Ned Weeks, whose doctor (LADCC award-winning Lisa Pelikan, The New Electric Ballroom) tells him he must convince everyone he knows to stop having sex or they'll die. The play follows Ned and a core group of friends - Verton R. Banks (NAACP Theater Award-winner for Butterflies of Uganda), Bill Brochtrup (ABC's NYPD Blue, Showtime's Shameless), Matt Gottlieb (The Grapes of Wrath at A Noise Within), Fred Koehler (CBS's Kate & Allie, HBO's Oz), Stephen O'Mahoney (Harvey at the Laguna Playhouse), Ray Paolantonio (Animal Farm, Wilhelm Reich in Hell at Son of Semele), Dan Shaked (On the Spectrum at the Fountain) and Jeff Witzke (Blank Theatre Co.'s Book Of Liz) - as they rail against a community that refuses to believe they are in danger, a bureaucracy that refuses to listen and a President who won't even utter the word AIDS. Dismissed by politicians, frustrated by doctors and fighting with each other, their differences could tear them apart - or change the world. The title of the play comes from a poem by W. H. Auden, the last line of which is this simple truth: "We must love one another or die."
When The Normal Heart premiered at New York's Public Theater in 1985, Joseph Papp wrote, "In taking a burning social issue and holding it up to public and private scrutiny so that it reverberates with the social and personal implications of that issue, The Normal Heart reveals its origins in the theater of Sophocles, Euripides and Shakespeare. In his moralistic fervor, Larry Kramer is a first cousin to nineteenth century Ibsen and twentieth century Odets and other radical writers of the 1930s. Yet... the element that gives this powerful political play its essence, is love - love holding firm under fire, put to the ultimate test, facing and overcoming our greatest fear: death."
In 2000, The Normal Heart was named "one of the 100 greatest plays of the 20th century" by the Royal National Theatre of Great Britain, and the 2011 Broadway revival earned Tony, Drama League, Drama Desk and Outer Critics Circle awards for Best Revival of a Play. A movie directed by Ryan Murphy and starring Mark Ruffalo, Jim Parsons, Matt Bomer and Julia Roberts is slated to premiere on HBO in 2014.
Larry Kramer recently told Playbill, "Now it's considered a history play. Everything I said in the play has come true."
Set design for The Normal Heart is by Jeff McLaughlin; lighting design is by R. Christopher Stokes; sound design is by Peter Bayne; video design is by Adam Flemming; costume design is by Naila Aladdin Sanders; prop design is by Misty Carlisle; and the production stage manager is Corey Womack.
Larry Kramer is an American playwright and LGBT-rights activist. He is a founder of Gay Men's Health Crisis, an AIDS service organization, and ACT UP, a direct action AIDS advocacy group. His most acclaimed plays include The Normal Heart (1985) and the Pulitzer Prize finalist The Destiny of Me (1992). His screenplay for Women in Love was nominated for an Academy Award in 1969. He is the author of the novel Faggots (1978), a confrontational portrayal of gay culture, and a critical essay about the AIDS crisis, "1,112 and Counting" (1983). Kramer has also written the plays Sissie's Scrapbook, A Minor Dark Age and Just Say No, A Play about Farce. His other books are The Tragedy of Today's Gays and Reports From the Holocaust: The Story of an AIDS Activist. He earned his B.A. in English from Yale University. In 2013, he was honored by the Tony Awards with the Isabelle Stevenson Award for significant contribution to humanitarian or charitable causes.
Simon Levy was honored with the 2011 Milton Katselas Award for Lifetime Achievement in Directing by the Los Angeles Drama Critics Circle. Directing credits at the Fountain include Cyrano (LADCC Awards for Direction and Production), A House Not Meant to Stand; Opus (LA Weekly Awards, Best Director); Photograph 51;The Milk Train Doesn't Stop Here Anymore (Backstage Garland Award, Best Direction); The Gimmick with Dael Orlandersmith (Ovation Award-Solo Performance); Master Class (Ovation Award-Best Production); Daisy in the Dreamtime (Backstage Garland Awards, Best Production and Direction); Going to St. Ives; The Night of the Iguana; Summer & Smoke (Ovation Award-Best Production); The Last Tycoon, which he wrote and directed, (5 Back Stage awards, including Best Adaptation and Direction); and Orpheus Descending (6 Drama-Logue awards, including Best Production and Direction). What I Heard About Iraq, which he wrote and directed, was produced worldwide including the Edinburgh Fringe Festival (Fringe First Award) and the Adelaide Fringe Festival (Fringe Award), was produced by BBC Radio, and received a 30-city UK tour culminating in London. He has written the official stage adaptations of The Great Gatsby, Tender is the Night, and The Last Tycoon for the Fitzgerald Estate, all published by Dramatists Play Service.
Housed in a charming two-story complex, the Fountain is one of the most successful intimate theaters in Los Angeles, providing a creative home for multi-ethnic theater and dance artists. The Fountain has won over 200 awards, and Fountain projects have been seen across the U.S. and internationally. Highlights include In the Red and Brown Water ("Best in Theater 2012" - Los Angeles Times); Cyrano, an adaptation of the Rostand classic for hearing and deaf actors by Stephen Sachs (LADCC Award, "Outstanding Production"), a six-month run of Bakersfield Mist, also by Sachs, optioned for London and New York; the Off-Broadway run of the Fountain's world premiere production of Athol Fugard's Exits and Entrances; and the making of Sachs' Sweet Nothing in My Ear into a TV movie. The Fountain has been honored with a Certificate of Appreciation from the Los Angeles City Council for "enhancing the cultural life of Los Angeles." The Fountain was recently honored with seven Los Angeles Drama Critics Circle including the Polly Warfield Award for Best Season 2012.
The Normal Heart opens on Saturday, Sept, 21, with performances Thursdays, Fridays and Saturdays @ 8 p.m. and Sundays @ 2 p.m, through Nov. 3 (dark Thurs., Oct. 31). Preview performances take place on Wednesday, Sept. 18, Thursday, Sept. 19 and Friday, Sept. 20 at 8 p.m. Tickets are $34 (reserved seating), except previews which are $20. On Thursdays and Fridays only, seniors over 65 and students with ID are $25. The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Secure, on-site parking is available for $5. The Fountain Theatre is air-conditioned and wheelchair accessible. For reservations and information, call 323-663-1525 or go to www.FountainTheatre.com.