| Los Angeles Times - Somewhat Recommended
"...Although author DeMartino intelligently charts the central dynamic, he hasn’t given its clashes and revelations very high stakes or much surprise, and the over-explicated dialogue specifies some things better left inferred through the rising action. “Finding Fossils” isn’t a bad play, but the literate familiarity and soft-cored impact seem more suited to the pages of the New Yorker."
Read Full Review
LA Weekly - Somewhat Recommended
"...Unlike in most dysfunctional families, the family members in Ty DeMarinto’s rambling, one-act drama are at least honest with each other."
Read Full Review
Backstage - Somewhat Recommended
"...The playwright’s aims seem modest: imparting simple if hardly revelatory truths about human nature. Director Suzanne Hunt and the capable actors do solid work in service of an intermittently involving but unremarkable script."
Read Full Review
Stage Scene LA - Recommended
"...A grown son attempts to reconnect with his crotchety old man in Ty DeMartino’s first-rate dramedy Finding Fossils, a three-actor one-act which transcends soap opera through the playwright’s gift for believable dialog and a trio of superb performances at North Hollywood’s Road Theatre."
Read Full Review
StageHappenings.com - Recommended
"...It’s a flawless production, well thought-through and entertaining as all get-out. Do see it."
Read Full Review
The Tolucan Times - Recommended
"...Another hypnotically focused offering from The Road Theatre! Running in rep with The Water’s Edge (which I reviewed recently), I highly recommend that you take the time to see both of them!"
Read Full Review
BlogCritics.org - Recommended
"...Suzanne Hunt directs this production, which is acted in a lovely manner."
Read Full Review
Frontiers - Recommended
"...Finding Fossils has its heart in the right place, but it’s really a theater piece for older straight people who will see themselves in Vincent and find Gus’ plight “edgy.” For gay audiences, they might relate to the family dynamic, but Gus comes across as a jumble of “modern gay man living in New York City” stereotypes. He’s a bit too affected for us to care about, and Vincent is too stalwart for us to hope he’ll come around."
Read Full Review
|