A Touch of the Poet Reviews
Broadway World- Recommended
"...This is a production for serious theatergoers who understand the importance of O'Neill's plays since through his efforts, American theatre grew up during the 1920s, developing into a cultural medium that could take its place with the best in American fiction, painting, and music. And by his inspiration to other serious dramatists, O'Neill set the pace for the blossoming of serious Broadway theatre in the early 20th Century."
LA Splash- Highly Recommended
"...The entire cast of A TOUCH OF THE POET does a skilled job of bringing O'Neill's play to life. Even the smallest role shines. Dan Volonte's set and light design make the most of a very small stage, while Audrey Eisner's and Sarah Zinsser's costumes flesh out this period in American history. Keith Stevenson's sound adds dimension, especially as the motley crew breaks out in alcohol-enhanced song. And let's not forget talented director Robert Bailey's sure hand in bringing a long and emotionally volatile production to life. It is always a pleasure to see Eugene O'Neill's masterful plays performed and performed well. To celebrate its thirtieth anniversary, the Pacific Resident Theatre has again produced a classic with skill and their special brand of expertise."
Stage Raw- Somewhat Recommended
"...Director Robert Bailey uses the small theatre space well, making Dan Volonte's simple yet effective set seem like a working tavern. In particular, the scenes between McIlvaine and Fletcher work seamlessly, especially a conversation wherein Sara is breathless with newfound joy and Nora is dumbstruck with fear, and we see how their bond remains strong even in extreme circumstances. This is not a perfect production, but there is still a lot to appreciate in PRT's A Touch of the Poet."