Los Angeles Times - Recommended

"...From the poetic “Are We the Waiting” and “Wake Me Up When September Ends” to the defiant “Know Your Enemy” to the anthem-like “21 Guns,” the expertly performed songs cast a spell that had young, old and middle-aged audience members head-banging together at the Ahmanson. Now that alone is one incredible feat even if this merging of Broadway and VH1 styles is only a pit-stop on the way to the musical’s 21st century future."
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LA Weekly - Recommended

"...Director Rozsa Horvath has mounted a commendably handsome production, commingling music, lighting, sound and video (designers Vinnie Reyes, Michael Gend, Matt Richter and William Barker/Bruce Allen respectively) to create an appropriately baleful ambiance."
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Backstage - Somewhat Recommended

"...Miller offers a serious challenge to director RoZsa Horvath and her generally able cast by being too faithful to the details of his own life, including an excess of scarifying events and sketchily developed characters. In addition, he couches his tale in a tricky “experimental” format, nonlinear and often abstract, with sometimes-disconcerting elisions of time and place."
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BlogCritics.org - Recommended

"...Despite this criticism, I must give high marks to the HumanArts Theater Company’s new production, under the direction of RoZsa Horvath. The cast is uniformly excellent, with Brian Robert Harris a commanding presence as Quentin; Vincent Malcolm Cusimano is also fine as Mickey, the friend who betrays Quentin and who is clearly modeled after director and HUAC testifier Elia Kazan."
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